Adobe After Effects 2020 V17.1
Download File - https://tiurll.com/2tkPe8
Rendering is twice as slow and seems to use a fraction of the processors. A render that took 6 hours is now taking 11, and the program isn't using all my processing power, I have a maxed out 12 core Mac Pro and activity monitor says after effects is using 9% of my processing. I guess I should be glad it's not taking 60 hours.
Download Adobe After Effects CC 2020 v17.1 free latest version standalone installer offline setup for Windows 64-bit. Adobe After Effects CC 2020 v17.1 is a powerful application for creating eye-catching visual effects and as well as support for handling 3D graphics and motion effects.
After Effects CC 2020 is a powerful application for handling the motion graphics for 3D editing and creating eye-catching visuals. It is a complete application for dealing with any kind of graphics effects, providing support for 3D graphics and support for working with motion effects accordingly. Users can handle different types of graphic elements. It provides better performance and different graphics processing features. A variety of bug fixes and enhancements improves the workflow and provides better control over all the aspects of the graphical projects. You can also download Adobe Premiere Pro CC 2020 v14.2.0.33
It makes use of GPU processing for improved performance. Customize different graphical properties, add cinematic effects and as well as customize different details of the graphical projects accordingly. With flawless rendering features, the application can generate accurate results with high-quality output. Work on layers, add light effects, solid colors, text strings, and a lot more. In addition, it also allows users to handle shatter and distort effects for different elements. After Effects also supports adding Physics Motion effects along with animation detailing features to produce high-quality results. Add third-party plugins to enhance the functionality of the application. On concluding notes, After Effects CC 2020 is a complete application for creating motion effects and producing visually appealing graphics with numerous available tools.
Kyle Hamrick (00:00): Hey everyone, Kyle Hamrick here for school of motion. It's Adobe max time. And that means we just got a brand new version of after effects. I'm pretty excited to show you a couple of the new features they just added. So let's dive in and check it out
Kyle Hamrick (00:23): Today. We're going to be covering the big new features and after effects 2020, which is more officially known as after effects version 17. With every update. Adobe puts out a full description of all the new features and fixes in full detail, which we've provided a link to. I highly recommend you look through that to make sure you're up to date on anything. I might not cover in this video. Now let's dive in and check out what's new. And after effects, the after effects team has put lots of work into speed and stability. So in this release, you're going to see several performance boosts as well as bug fixes. Cinema 4d has upgraded to our 21. So we'll be getting a new version of cinema 4d light and the CINAware plugin. And then we have two new features that will be really helpful for templates or McGirts or just rig work in general, which are the dropdown menu and text styling expressions.
Kyle Hamrick (01:09): So let's take a minute and talk about speed in after effects. The after effects team gets a lot of feedback about this. And one thing that's important to note is that in a complex app, like after effects, speed means a couple different things. So I'm taking this language directly from a public statement by the after effects team that they view it in terms of three different things, there's rendering performance, which is how fast can aftereffects get pixels onto your screen. This is the speed of previews and of exports. There's interactive performance, which is how fast does UI respond to your actions How responsive is after effects while you're actually working in it. And then there's workflow performance, which is how fast can you complete a task and after effects, this is the actual tools and features that may speed up things that you used to have to do manually.
Kyle Hamrick (01:54): So specifically in this version, the after effects team has made big enhancements on preview playback optimization. So what this means is that once cashed, once your Ram preview is fully built, you should get real-time playback on your previews without any slowdown. Even if you're interacting with the UI, there's probably always going to be a few edge cases and exceptions. So again, you should check out the release notes for that, but generally speaking, you should have a really good preview experience. Obviously this isn't something I can really demo here. So dive into some of your older projects and see if you can feel the difference. The after effects team is continuing to work on other aspects of performance and has publicly stated that they are actively working on multithreaded CPU rendering as well. So you can kind of draw your own conclusions from that, but hopefully that means we'll continue to see speed enhancements over the next couple of versions.
Kyle Hamrick (03:26): We've also got a major performance boost to content aware fill, which was introduced earlier this year. Lastly, we have a big boost for performance and workflow for multichannel EXR files. These are primarily used if you're creating multi-layer passes from 3d software that you're then compositing within after effects. As I said, you'll see a big time performance boost. And as of this version, you now have the ability to import them as layer to compositions, similar to a layered Photoshop or illustrator document, which should make this workflow much faster and better. They now have native support for crypto mat and there's even a contact sheet view. So you can view all your passes at once. So in general, you should be able to spend a lot less time setting this up and a lot more time making your 3d passes look awesome. Speaking of 3d cinema 4d was recently updated to our 21, which means that we get a brand new version of cinema 4d light with this version of after effects.
Kyle Hamrick (04:20): EGA released a video in September going over all the new features of the full version. Obviously we don't get all of those with the light version, but we do get quite a few specifically. I wanted to point out these new cap and bevel options, which should be a really nice enhancement for light users. There's a new layout and some new functionality here that makes it a little easier to work with. We have a new step bevel, which you can see enable some cool stuff. And there's also this new curve bevel editor, where you can create custom. Bevels exactly the way you want them. And you can even save and load presets, which should be super handy. There's also a new de noising filter that should help your passes look better. And the CINAware plugin that allows you to bring cinema 4d objects directly into after effects.
Kyle Hamrick (05:01): Like this has been updated as well to work with our 21. I should also point out that the aftereffects Ray tracing 3d engine has been removed as of this version. It was already deprecated previously, but it's actually gone now. So if you have any old projects that are still relying on the Ray tracer, you'll either need to sunset those or go ahead and update them to the cinema 4d render. These last couple of features. Won't be for everybody, but as someone who makes a lot of templates and expression rigs, there's something that I'm pretty excited about. New to this version. We have dropdown menu expression controllers, which I'll show you in a minute, but it also means that dropdown menus and existing effects can be added to the essential graphics panel for use in McGirts or in master properties. So in this composition, I just have a solid with the fractal noise effect on it.
Kyle Hamrick (09:56): You could add more options if you want, or take them away to have fewer whatever you want. I'll hit. Okay And now you can see, these are my options on this menu. You can define these as whatever you like as far as after effects is concerned. This is 1, 2, 3. So now we're going to write an expression, just like the one I showed you to determine the opacity of these layers so that we can use this menu to select which shape is visible. So we'll expose this menu control here. Now on red circle, I'll click the opacity and let's write VAR menu. I'm just choosing that to be the name of my variable. You can name it, whatever you like, and I'll pick whip to that dropdown menu right there. Semi-colon if parentheses menu equals one close the parentheses curly brace 100, this time I'm deciding if it equals that thing, then be on since red circle is the first choice on the menu.
Kyle Hamrick (20:20): And then with this, if else, expression here, this one's written a little differently because it has multiple choices. You can use this font selector to choose what font this is. There should be really handy for templates and it will help keep things within specific brand guidelines, but still give people options. So this should be really useful for text templates in general, making those just really streamlined and easy to use. Hopefully you saw cool new stuff in here that you're excited to try out again. The Adobe team releases a full description of any new features along with this update. So it's always good to check those out and make sure you're aware of anything new or different. I hope this video got you excited to dive into aftereffects and test out the new features. Maybe bust out a project you made with a ton of shape layers and see how the performance compares to the previous version.
Kyle Hamrick (21:07): Maybe one of these features was the thing you were waiting for that kept you from really diving into making templates with every new version comes new possibilities. So get in there, explore and figure out what you can do with them. If the expressions related features I showed today were way over your head. School of motion has just announced a new expression scores expression session that may be perfect for you. It's taught by the dynamic duo of Zach Lovatt and Nol Honig. You can come in with zero expressions experience and you'll learn to love all this crazy coding stuff, which can open up a whole new side of aftereffects for you. So head over to school of motion.com/courses and check it out again. If you want to stay up to date on after-effects and on the entire motion design industry, please subscribe and head over to school of motion.com to sign up for a free student account. You'll be able to download a project file with some of the demos I just showed you and get access to tons of other cool stuff as well. 59ce067264